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Nice Wooden Thai Lanna Buddha from 19th century

Nice Wooden Thai Lanna Buddha from 19th century

  • Country: Thailand
  • Period: 19th century Lanna
  • Material: Wood with traces of gold leave and red paint
  • Size: 21 x 8.2 cm 

 

Object number: T24451
€ 295,00
More from : Myanmar (Birma)

  • Buddha and base/throne probably didn't originally belong together. 
  • Buddha is sitting on a lotus in the Bhumisparsha mudra.

The image of Buddha sitting on a lotus in the Bhumisparsha Mudra is one of the most iconic and spiritually significant depictions in Buddhist art and iconography, rich with symbolism reflecting profound philosophical and spiritual meanings. The lotus flower in this imagery represents purity, spiritual enlightenment, and resilience. It grows in muddy water, yet emerges pristine and beautiful, symbolizing the ability to rise above defilements and suffering. The lotus is often associated with the purification of the body, speech, and mind. Seeing the Buddha seated on a fully bloomed lotus signifies his awakened state and the realization of Nirvana.

The Buddha is typically shown in a cross-legged position (Padmasana), which represents a stable and grounded meditative state. His posture conveys tranquility, inner peace, and unwavering focus, symbolizing the Buddha’s deep meditative absorption.

The Bhumisparsha Mudra, or "Earth Touching Gesture," is performed by the Buddha sitting with his right hand reaching down to touch the ground, while his left hand rests on his lap, palm facing upward. This mudra symbolizes the moment of the Buddha's enlightenment under the Bodhi tree, where he called upon the Earth to witness his attainment of enlightenment. According to Buddhist tradition, before achieving enlightenment, the Buddha (then Siddhartha Gautama) was confronted by Mara, the personification of temptation and illusion. To dispel Mara's doubts and claim his right to enlightenment, Siddhartha reached down and touched the Earth with his right hand, calling upon it to bear witness to his countless lifetimes of virtuous actions. The Earth responded, quelling Mara and his forces, thereby affirming the Buddha's resolve and purity. The Bhumisparsha Mudra symbolizes unshakable faith, determination, and the Buddha’s victory over temptation and distractions. It represents the moment when Siddhartha transcended worldly attachments and achieved enlightenment, becoming the Buddha. The gesture also emphasizes the interconnectedness of all beings with the Earth, highlighting a deeper ecological and spiritual unity.

The combination of the Buddha on a lotus with the Bhumisparsha Mudra is a representation of transcendence over worldly suffering and the achievement of spiritual awakening. Artists often depict the Buddha with a serene and compassionate expression, emphasizing his state of bliss and wisdom. Surrounding elements like halos, bodhi leaves, or a calm background might be included to further enhance the sacred atmosphere.

This depiction of the Buddha is not just a piece of art but a visual meditation on the path to enlightenment, encouraging practitioners to stay grounded, pure, and determined in their spiritual journey.

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The Lanna period represents a significant chapter in the history and culture of Northern Thailand, with the Lanna Kingdom flourishing between the 13th and 18th centuries, especially during its golden age from the 13th to the 16th century. The name "Lanna" translates to "Land of a Million Rice Fields," reflecting the region's fertile lands and agricultural abundance. The Lanna Kingdom was founded by King Mangrai in 1292, who established the capital city of Chiang Mai in 1296, turning it into a cultural and political hub. Before Lanna's rise, the region was composed of smaller city-states influenced by neighboring empires like the Khmer, Mon, and Haripunchai.

Under King Mangrai and his successors, Lanna expanded its influence, reaching its peak in the 15th century and controlling parts of modern-day northern Thailand, Laos, Myanmar (Burma), and even southern China. However, Lanna's prosperity began to decline in the 16th century due to internal strife, invasions, and eventual subjugation by the Burmese (Taungoo Dynasty) in 1558. After over two centuries of Burmese control, the region gradually came under the influence of the Siamese Kingdom of Ayutthaya and later Thonburi and Bangkok.

The Lanna period is renowned for its unique and rich cultural contributions, especially in art, architecture, language, and religion. Buddhism, particularly the Theravada tradition, was central to Lanna culture, making the kingdom a center for Buddhist learning and monastic life, influenced by Mon and Sukhothai traditions. Numerous temples, or wats, were constructed, showcasing distinct Lanna architectural styles with multi-tiered, sloping roofs, intricately carved wooden elements, and a smaller, more intimate scale compared to those in central Thailand. Famous examples include Wat Phra That Doi Suthep, Wat Phra Singh, and Wat Chedi Luang, featuring elaborate decorations like gold leaf, lacquer, and mural paintings.

Lanna art is recognized for its distinctive Buddha images with soft, rounded, and serene features, often with a lotus bud-shaped finial on the Buddha's head, symbolizing purity. This style, influenced by Sukhothai and Mon art, has its unique characteristics. The Lanna people developed their own writing system called Tai Tham script, used for religious texts, inscriptions, and manuscripts, still in use today for liturgical purposes, especially among Buddhist monks. Lanna literature flourished with Buddhist texts, folklore, and local chronicles known as "tamnan."

The Lanna region is also famous for its traditional handicrafts, particularly textiles, silverwork, woodcarving, and umbrella making. The "pha sin," a traditional woven skirt, is iconic in Lanna textiles, adorned with intricate patterns and nature-inspired motifs. The kingdom was a diverse society with various ethnic groups, including the Tai Yuan (the dominant ethnic group), as well as the Mon, Khmer, Lawa, and hill tribes like the Karen, Hmong, and Akha. The Lanna people spoke Kam Mueang (Northern Thai), which remains widely spoken today. Agriculture, especially rice cultivation, was the economic backbone of Lanna, supported by fertile plains and irrigation systems. Trade also played a key role, with Lanna serving as a crossroads for trade between China, Myanmar, Laos, and the Siamese kingdoms.

The decline of the Lanna Kingdom began in the late 15th century due to political instability, succession disputes, and pressure from expanding Burmese and Siamese powers. The Burmese conquest of Chiang Mai in 1558 marked the beginning of over 200 years of Burmese dominance, until the late 18th century, when the Lanna region came under Siamese control during the reign of King Taksin of Thonburi and later King Rama I of the Rattanakosin Kingdom. Despite its decline as a political entity, the cultural legacy of the Lanna Kingdom remains vibrant today, especially in cities like Chiang Mai, Chiang Rai, and Lamphun, where traditions are celebrated through festivals, arts, cuisine, and daily life. The annual Yi Peng (Lantern Festival) and Songkran (Thai New Year) are reflective of Lanna's cultural heritage.

The Lanna period is remembered for its rich cultural achievements, artistic innovation, and religious devotion, leaving a lasting impact on the cultural landscape of Northern Thailand.

 

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Nice Wooden Thai Lanna Buddha from 19th century
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