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Rare Shan sitting Jambhupati Buddha of wood 19th century from Myanmar

Rare Shan sitting Jambhupati Buddha of wood 19th century from Myanmar

  • Country: Myanmar (former Birma)
  • Period: 19th century 
  • Culture: Shan Jambhupati style 
  • Material: Wood, marble head, lacquer, glass and gold leaf 
  • Size: 123 x 46 cm
Object number: T20103
€ 6.000,00
More from : Myanmar (Birma)

  • It is very rare to see a marble head incorporated with a wooden statue, especially of this size.
  • This style of Buddha statue, also referred to as the Royal King Buddha has lots of  embellishments. The Jambhupati style traditionally wears a conical crown with earrings and jewels around the arms, neck, waist and legs and embellished with coloured glass mosaics.
  • This Buddha is sitting in the Bhumisparsamudra.
  • The Burmese royal crowned Jambhupati Buddha image originated from the story of the Buddha’s encounter with King Jambhupati, whereupon the Buddha adorned royal attire in order to humble the arrogant and overbearing king Jambhupati, who threatened one of his followers. The King on seeing the Buddha dressed in such splendor was overawed and from that day onward he became a follower of the Buddhist teachings and he himself became a monk and realised enlightenment.
  • This statue has been restaurated at the front bottom, this can be seen when looking at the bottom.
  • The statue still holds an old pricetag which shows 20,000 which I believe would be the old price in Dutch guilders, in Euro this is now €9,076.

The image of Buddha sitting on a lotus in the Bhumisparsha Mudra is one of the most iconic and spiritually significant depictions in Buddhist art and iconography, rich with symbolism reflecting profound philosophical and spiritual meanings. The lotus flower in this imagery represents purity, spiritual enlightenment, and resilience. It grows in muddy water, yet emerges pristine and beautiful, symbolizing the ability to rise above defilements and suffering. The lotus is often associated with the purification of the body, speech, and mind. Seeing the Buddha seated on a fully bloomed lotus signifies his awakened state and the realization of Nirvana.

The Buddha is typically shown in a cross-legged position (Padmasana), which represents a stable and grounded meditative state. His posture conveys tranquility, inner peace, and unwavering focus, symbolizing the Buddha’s deep meditative absorption.

The Bhumisparsha Mudra, or "Earth Touching Gesture," is performed by the Buddha sitting with his right hand reaching down to touch the ground, while his left hand rests on his lap, palm facing upward. This mudra symbolizes the moment of the Buddha's enlightenment under the Bodhi tree, where he called upon the Earth to witness his attainment of enlightenment. According to Buddhist tradition, before achieving enlightenment, the Buddha (then Siddhartha Gautama) was confronted by Mara, the personification of temptation and illusion. To dispel Mara's doubts and claim his right to enlightenment, Siddhartha reached down and touched the Earth with his right hand, calling upon it to bear witness to his countless lifetimes of virtuous actions. The Earth responded, quelling Mara and his forces, thereby affirming the Buddha's resolve and purity. The Bhumisparsha Mudra symbolizes unshakable faith, determination, and the Buddha’s victory over temptation and distractions. It represents the moment when Siddhartha transcended worldly attachments and achieved enlightenment, becoming the Buddha. The gesture also emphasizes the interconnectedness of all beings with the Earth, highlighting a deeper ecological and spiritual unity.

The combination of the Buddha on a lotus with the Bhumisparsha Mudra is a representation of transcendence over worldly suffering and the achievement of spiritual awakening. Artists often depict the Buddha with a serene and compassionate expression, emphasizing his state of bliss and wisdom. Surrounding elements like halos, bodhi leaves, or a calm background might be included to further enhance the sacred atmosphere.

This depiction of the Buddha is not just a piece of art but a visual meditation on the path to enlightenment, encouraging practitioners to stay grounded, pure, and determined in their spiritual journey.

 

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Rare Shan sitting Jambhupati Buddha of wood 19th century from Myanmar
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