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Wooden horse rider top of totem from the Chin people of Myanmar (Burma)

Wooden horse rider top of totem from the Chin people of Myanmar (Burma)

  • Country: Myanmar (Burma)
  • Period: 19th century
  • Material: wood
  • Size: 56 cm
  • This statue is the top of a totem pole and portrays a rider on a horse but heavily eroded.

 

Object number: T21189
€ 395,00
More from : Myanmar (Birma)

Totems from Chin State in Burma hold deep cultural and spiritual significance, representing ancestry, tribal identity, and social status among the Chin people. These wooden poles were traditionally carved with intricate designs that often featured animal motifs, such as elephants, horses, birds etc, which symbolized specific clans or were believed to be spiritual protectors. The totems served as markers of a family's lineage and their place in society, with prominent families or tribal leaders commissioning the creation of these totems to honor their ancestors or commemorate significant achievements.

 

The carvings on these poles would often depict scenes or symbols associated with the life of the deceased, and their erection was accompanied by elaborate rituals and ceremonies. These ceremonies could involve animal sacrifices, such as buffalo or pigs, and community gatherings that included feasting, dancing, and prayer to honor the ancestors and invoke blessings from the spirit world.

The totems also reflect the animist beliefs of the Chin people, who traditionally viewed animals, plants, and natural objects as imbued with spiritual significance. Totem poles were a way to bridge the material world with the spiritual realm, representing a connection between the living and their ancestors. The craftsmanship of Chin totems was highly valued, with skilled carvers using traditional methods to create detailed and meaningful designs that could take weeks or months to complete.

Although Christianity became widely adopted in Chin State during the colonial period, elements of these totemic traditions have persisted. While the practice of carving and erecting new totems has declined, efforts are being made by cultural preservationists to document and revive these practices. Existing totem poles are regarded as important cultural artifacts, and they continue to be symbols of Chin heritage, reflecting the rich history and beliefs of the Chin people.

In summary, Chin totems are more than decorative objects; they are central to the spiritual and social fabric of the Chin people, embodying their respect for ancestors, connection to nature, and sense of identity within their community.

 

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